Carl Wilhelmson

1866-1928 Swedish painter and lithographer. Wilhelmson trained first as a commercial lithographer in Göteborg. In 1886 he enrolled as a student of decorative painting at Valand College of Art where his teacher was Carl (Olof) Larsson. In 1888, having obtained a travel grant, he went to Leipzig to study lithographic technique. From 1890 to 1896 he lived in Paris, where he worked as a lithographer and commercial artist and studied at the Academie Julian. Wilhelmson's preferred subject-matter was the coastal landscape of Bohuslen and the people of its little fishing villages with their huddles of wooden houses. There is no trace of ethnography in his depictions of local life; they are full of serious realism and display a sensitive insight into the perilous life of the fishermen, with which he had been familiar since childhood. In the Village Shop


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Carl Wilhelmson natknyterska oil


natknyterska
Painting ID::  65566
natknyterska
1895 se
1895 se
   
   
     

Carl Wilhelmson byhandeln oil


byhandeln
Painting ID::  65567
byhandeln
1896 se
1896 se
   
   
     

Carl Wilhelmson vid fadrens gravar oil


vid fadrens gravar
Painting ID::  65568
vid fadrens gravar
1897 se
1897 se
   
   
     

Carl Wilhelmson vid fadrens gravar oil


vid fadrens gravar
Painting ID::  65569
vid fadrens gravar
1897 se
1897 se
   
   
     

Carl Wilhelmson flicka oil


flicka
Painting ID::  65570
flicka
1897
1897
   
   
     

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     Carl Wilhelmson
     1866-1928 Swedish painter and lithographer. Wilhelmson trained first as a commercial lithographer in Göteborg. In 1886 he enrolled as a student of decorative painting at Valand College of Art where his teacher was Carl (Olof) Larsson. In 1888, having obtained a travel grant, he went to Leipzig to study lithographic technique. From 1890 to 1896 he lived in Paris, where he worked as a lithographer and commercial artist and studied at the Academie Julian. Wilhelmson's preferred subject-matter was the coastal landscape of Bohuslen and the people of its little fishing villages with their huddles of wooden houses. There is no trace of ethnography in his depictions of local life; they are full of serious realism and display a sensitive insight into the perilous life of the fishermen, with which he had been familiar since childhood. In the Village Shop

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